Ten Best Olympic Ads
Scoring is based on eight categories (see footnote). Scoring is
deductive. Since this is the Olympics, scoring started at 10.0, giving
some companies a long way to fall, as you will shortly see.
The 10 Best
In the
entire two-and-a-half-week competition, we couldn't find enough good
ads to fill out a top-10 list. To be fair, this competition was tougher
than usual, because an ad would have to be funny or original, and stay
fresh over the course of the Games. But we did find a few winners.
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ALLSTATE
Weightlifting
Easily the most original, funny and gets the point across to sell
insurance. The plot twist yields the spot the only 10.0 in the
competition. There were two versions -- a 60 second and a 30-second and
I found myself hoping for the longer one when it came on. There is a
shotput version which is not as good but that does not detract from the
quality of this ad. |
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9.5
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10.0
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9.5
|
9.5
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9.5
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8.0
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9.5
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9.75
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PREMISE |
SCRIPT |
ACTING |
SUPPORTING-CAST |
PHOTOGRAPHY |
MUSIC |
SOUND |
UPSHOT |
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BUD
LIGHT The
Low Jump, Four Foot Relay, and
Micro
Marathon. Original and well-done, funny but with a
ring of truth -- these "sports" sound dumb, but not as dumb as some
real Olympic sports *ahem* racewalking *ahem*. Very well acted with
realistic athlete-models portraying the agony of defeat or joy of
victory as if their baffling "feats" had great meaning. Humor lifts the
scripts to near perfection. The spots were very sparsely played,
leaving the viewer looking forward to the next airing. |
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9.5
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9.9
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7.5
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9.75
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9.5
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9.0
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9.0
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9.625
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PREMISE |
SCRIPT |
ACTING |
SUPPORTING-CAST |
PHOTOGRAPHY |
MUSIC |
SOUND |
UPSHOT |
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NIKE
Nike Speed
Several variations, all centered on the idea that there is a great
athlete lurking in each one of us. Extra points for not stuffing the
brand message down our throats (Nike does that in the venue, with their
logo on the athlete, shoe, cap, shirt, shorts, ball, billboards, etc). |
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3.75
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7.5
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7.5
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9.0
|
8.0
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6.5
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8.0
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6.75
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PREMISE |
SCRIPT |
ACTING |
SUPPORTING-CAST |
PHOTOGRAPHY |
MUSIC |
SOUND |
UPSHOT |
|
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SPRINT
Synchronized Swimmers
etc. Though it takes a huge deduction for failing to connect the
product to athletics, it makes it in the toplist anyway, because the
kids are so cute and are good actors. Which goes to show how thin the
field is this time around. |
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3.75
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7.5
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7.5
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9.0
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8.0
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6.5
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8.0
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6.25
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PREMISE |
SCRIPT |
ACTING |
SUPPORTING-CAST |
PHOTOGRAPHY |
MUSIC |
SOUND |
UPSHOT |
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Category Winners
BEST
PHOTOGRAPHY ALLSTATE Weightlifting
Cinematographer had to deal with challenges of several scenes - stage,
crowd shot, bathroom, garage. The competition shots look like the real
thing.
BEST
MUSIC MCDONALD'S Original Olympians
McDonald's steps away from the hip-hop -- and the chicken -- long
enough to produce the ad with the best soundtrack of the Games. But the
spot never got near the podium with several huge deductions in other
categories: most conspicuously, it fails to tie together the wildly
flung premises -- Olympics, pregnancy, and McDonald's food. But I'd buy
the CD if I could.
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BEST
ACTING -- JOHN HANCOCK The two kid sisters. Hon. mention to
Dominique Dawes, Serena Williams, Shane Hallman, Mark Spitz and other
olympians for doing what they do best. |
BEST SCRIPT -- ALLSTATE Weightlifting.
Makes the point, Sells insurance. With humor.
The Field:
This is
the great majority of ads aired during the Olympics. Forgettable, run
of the mill ads. Ironically, in any extended campaign, these ads can be
effective, as they are almost not noticed, and are certainly not
remarked upon, but are subconsciously planted enough times to affect
potential consumer buying decisions.
...and, for the rest...
During
the Olympics, the same ad may be shown dozens of times over the
weeks of the Games. Knowing this, it would seem to be a good
idea for the agencies to shelve the "hit a home run" mentality and go
for some subtlety and intelligence. But that is a forlorn hope.
Unfortunately it seems the advertisers, having been bled dry first by
Olympic sponsorship fees, and then having to max out their credit to
buy ad time, apparently had nothing left to put into making the ad.
These
are world class companies who do not have to worry about their
competitors, having excluded them with sponsorship arrangements with
the Olympic Committee. They have our attention for more than two weeks.
Yet the viewer is clumsily bludgeoned with repeated insertions of the
same rancid ad. This not only fails to sell, but is quite capable of
driving the viewer all the way to the competing product. These ads also
illustrate the failure of creative collaboration, which I won't even go
into, except to say certain executives ought to be dragged before the
shareholders so they may pass judgment upon them for lost sales. Now
witness the very best some great companies and agencies can come up
with, in front of an audience of 70 million.
Continue to 10 Worst Olympic Ads
PREMISE
- Likeliness of ad situation. SCRIPT - Storyline, with plus points
possible for humor ACTING - Lead actor performance SUPPORTING-CAST -
Overall performance of supporting actors PHOTOGRAPHY - Aesthetics and
execution of visuals MUSIC - Quality of composition, and/or
appropriateness of background music, with bonus points possible for
original compositions and/or quality orchestrations, ex. Acura
TL's reworking of Grieg. SOUND - Category with standard
deductions, for instance, points off for using cell-phone ringing as a
cheap way to get viewer attention UPSHOT - Number of viewers, out of
10, who will respond positively. A number below 5.0 means the ad
backfired i.e.has a negative effect. An upshot score less than zero
means people who did not even see the ad will react negatively to it,
as they hear about it through word-of-mouth, ex. Quizno's
Subs being sold by vermin.
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